Una voce poco fa from the Barber of Sevilla - Score
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My purchases. Una voce poco fa [Barber of Seville: mezzo] High - Original key. Tweet Share Full score details This music is in your basket View basket. Buy this score now! Buy this score and parts now! Price is for score only Price is for score and complete set of zero parts Note: The publisher requires a minimum purchase of 1 licenses. Buying options Score with full set of zero parts Score and full set of zero parts Score with no parts Full set of zero parts no score Individual parts from.
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Printing after purchase After you have purchased this item the Cloud Publishing technology is utilised to provide the printing mechanism for the music. Add to basket. Full details. View licensing details In order to submit this score to ScoreExchange. If you believe that this score should be not available here because it infringes your or someone elses copyright, please report this score using the copyright abuse form. Ruhe sanft, mein holdes Leben [Zaide: sop. Tornami a vagheggiar [Alcina: sop. Deh vieni, non tardar [Figaro: sop. The Via Dolorosa. Pace, pace, mio Dio [Forza del Destino: sop.
Batti, batti, o bel Masetto [Don Giovanni: sop. Si, tra i ceppi [Berenice: baritone]. Voi lo sapete, o mamma [Mascagni].
Lucca , n. Plate Arranger Louis Narici — , piano reduction. Natalia Macfarren — , English text. View at Internet archive. Language French.
Gioachino Rossini: Il Barbiere Di Siviglia | Presto Sheet Music
Castil-Blaze , French text. Arranger Arnold Schoenberg Vienna: Universal Edition , n. Plate U. Arranger Friedrich Brissler Leipzig: C. Peters , n. Arranger Maximilian Joseph Leidesdorf Arranger Richard Metzdorff Braunschweig: Henry Litolff's Verlag , n. This file is part of the Sibley Mirroring Project.
Braunschweig: H. Litolff , No. Arranger not credited. Milan: R. Stabilimento Ricordi , n. Paris: Schonenberger , n. Plate V. Arranger Antonio Maria Bologna.
High - Original key
Arranger Pedro Henrique De Faria. Almaviva pretends to be too drunk and belligerent to understand, and dares Bartolo to brawl. While Bartolo searches his cluttered desk for the official document which would prove his exemption, Almaviva whispers to Rosina that he is Lindoro in disguise, and passes a love-letter to her. Bartolo suspiciously demands to know what is in the piece of paper in Rosina's hands, but she fools him by handing over her laundry list. Bartolo and the Count argue loudly. Basilio enters; then Figaro, who warns that the noise of the argument is rousing the whole neighborhood. Finally, the noise attracts the attention of the Officer of the Watch and his troops, who crowd into the room.
Bartolo demands that the Officer arrest the "drunken soldier". The Officer starts to do so, but Almaviva quietly reveals his true identity to the Officer, and he the Officer backs off and stands down. Bartolo and Basilio are astonished and mystified; Figaro laughs quietly at them. Finale: "Fredda ed immobile, come una statua"; "Cold and still, just like a statue".
Il Barbiere di Siviglia
The confusion intensifies and causes everyone to suffer headaches and auditory hallucinations "Mi par d'esser con la testa in un'orrida fucina; dell'incudini sonore l'importuno strepitar. Almaviva again appears at the doctor's house, this time disguised as a priest who is also a singing tutor and pretending to act as substitute for the supposedly ailing Basilio, Rosina's regular singing teacher.
Initially, Bartolo is suspicious, but does allow Almaviva to enter when the Count gives him Rosina's letter. He describes his plan to discredit Lindoro whom he believes to be one of the Count's servants, intent on pursuing women for his master. While Almaviva pretends to give Rosina her singing lesson, Figaro arrives to shave Bartolo. Bartolo demurs, but Figaro makes such a scene he agrees, but in order not to leave the supposed music master alone with Rosina, the doctor has Figaro shave him right there in the music room.
When Basilio suddenly appears, he is bribed by a full purse from Almaviva and persuaded to leave again, with much discussion of how ill he looks. Quintet: "Don Basilio! Figaro begins to shave Bartolo, but Bartolo overhears the lovers conspiring, and angrily drives everybody away. The scene returns to the location of act 1 with a grill looking out onto the square.
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Bartolo orders Basilio to have the notary ready to marry him to Rosina that evening. He also explains his plot to come between the lovers. Basilio leaves and Rosina arrives. Bartolo shows Rosina the letter she wrote to "Lindoro", and persuades her that this is evidence that Lindoro is merely a flunky of Almaviva and is toying with her at Almaviva's behest. Rosina believes him and agrees to marry him. During an instrumental interlude, the music creates a thunder storm to indicate the passage of time.
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The Count and Figaro climb up a ladder to the balcony and enter the room through a window. Rosina shows Almaviva the letter and accuses him of betraying her. Almaviva reveals his identity and the two reconcile. While Almaviva and Rosina are enraptured by one another, Figaro keeps urging them to leave. Two people are heard approaching the front door, who later turn out to be Basilio and the notary.
However, when the Count, Rosina, and Figaro attempt to leave by way of the ladder, they discover it has been removed. The marriage contract requires two witnesses; Figaro is one, but another is needed. The Count makes Basilio an offer he can't refuse: the choice of accepting a bribe and being a witness to his marriage or receiving two bullets in the head an easy choice, Basilio says. He and Figaro witness the signatures to a marriage contract between the Count and Rosina.
Bartolo barges in, accompanied by the Officer and the men of the watch, but too late; the marriage is already complete. The befuddled Bartolo who was the one who had removed the ladder is pacified by being allowed to retain Rosina's dowry. The opera concludes with an anthem to love "Amor e fede eterna, si vegga in noi regnar! From Wikipedia, the free encyclopedia.